Utagawa Kuniyoshi’s Purr-fect Japanese Woodblock Prints

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Utagawa Kuniyoshi’s Cat Ballet.

Reveling in the Rich Tapestry of Edo Era Ukiyo-e

Ukiyo-e, a form of artistic expression during Japan’s Edo period, primarily consists of two types: “Nikuhitsu Ukiyo-e,” paintings, and “Nishiki-e,” color woodblock prints produced using woodblock printing techniques. Teams of artisans across multiple workshops collaborated to create Ukiyo-e prints.Ukiyo-e print creation involves intricate woodblock carving, meticulous pigment mixing, precise printing, and skilled collaboration among artisans, resulting in vibrant, detailed artworks capturing the essence of daily life and culture.

The phrase “ukiyo” came to describe the indulgent lifestyle of the ‘floating world.’ Ukiyo-e art reflects various aspects of Edo life, with subjects ranging from portraying beauties, kabuki actors, samurai, sumo wrestlers, historical scenes, folktales, travel scenes, landscapes, flora and fauna, erotic depictions, to poetry collections. Ukiyo-e itself is like a vibrant panorama of life, and within this beautiful scroll, Utagawa Kuniyoshi shines uniquely with his emphasis on warriors, battlefields, and beauties, renowned for his bold colors and dynamic compositions. Through Kuniyoshi’s brush, the customs and history of Edo, as well as his boundless affection for cats, come to life with vivid colors and lively, tension-filled forms.

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Utagawa Kuniyoshi’s World
of Cat Ukiyo-e

Utagawa Kuniyoshi was born into a silk-dyeing family in Nihonbashi during the Edo period. At the age of fifteen, his artwork, “Zhong Kui Drawing His Sword,” caught the attention of Utagawa Toyokuni, who took him as an apprentice. Early in his career as an artist, Kuniyoshi faced numerous challenges, investing considerable effort to establish his reputation. His works are characterized by rich details, meticulously crafted elements such as clothing, weapons, and expressions. This attention to detail adds artistic value, allowing viewers to discover more stories and emotions within the intricacies. Over time, Kuniyoshi found his artistic direction, earning acclaim for a series of outstanding warrior prints. His subject matter and style were diverse, featuring contrasts, dynamic elements, and dramatic compositions, infusing his artworks with a sense of drama and vitality, conveying the rhythmic energy of scenes and atmospheres depicted in his paintings.

The uniqueness of Utagawa Kuniyoshi extends beyond his artistic style to his profound affection for cats. His passionate love for felines became a distinctive source of inspiration, leading to numerous ukiyo-e masterpieces featuring cats. His keen observation allowed him to vividly depict the expressions of cats, portraying them in lively, cute, humorous, mysterious, and symbolically rich forms. These skillful portrayals of cats in ukiyo-e not only highlight Kuniyoshi’s outstanding visual art talent but also showcase his nuanced observations and insightful reflections on the world around him. The theme of loving and depicting cats became a significant highlight in Kuniyoshi’s artistic career, setting him apart in art history. Let’s explore the enchanting world of cats in Utagawa Kuniyoshi’s ukiyo-e together!

Utagawa Kuniyoshi, 歌川國芳, 歌川国芳, 浮世繪, 猫あそび, Japanese Art Print, Ukiyo-e, Cats in Ukiyo-e, Woodblock Printing, Edo Period, Japanese Prints

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Japanese Woodblock Prints
Grabados Japoneses en Madera
Japanische Holzschnitte
Japanse Houtsneden
Японская деревянная гравюра (Yaponskaya derevyannaya gravjura)
Gravuras em Madeira Japonesas
〈猫あそび〉歌川国芳 Utagawa Kuniyoshi(1841).猫あそび.Woodblock print. image © Tokyo National Museum
https://webarchives.tnm.jp/imgsearch/show/C0032237

The Cat as a Captivating Co-Star

Utagawa Kuniyoshi skillfully integrates cats into his paintings, whether they leisurely occupy corners of the composition or accompany beauties as supporting characters. Despite playing secondary roles, the cats exude a charming and adorable atmosphere under Kuniyoshi’s brush, injecting a playful element into the scenes. This portrayal not only highlights the cuteness of the cats but also introduces the mysterious and captivating qualities of felines, giving them a unique charm in Kuniyoshi’s artworks and contributing to the distinctive ambiance of his creations.

〈山海愛度図会 ヲゝいたい 越中滑川大蛸 七〉歌川国芳 Utagawa Kuniyoshi (1852). "Oh, ouch!" (Oo, itai)/ Giant Octopus from the Nameri River in Etchû (Etchû Namerikawa ôdako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)(山海愛度図会 ヲゝいたい 越中滑川大蛸 七). Woodblock print. image © Museum of Fine Arts Boston
〈山海愛度図会 ヲゝいたい 越中滑川大蛸 七〉歌川国芳
Utagawa Kuniyoshi (1852). “Oh, ouch!” (Oo, itai)/ Giant Octopus from the Nameri River in Etchû (Etchû Namerikawa ôdako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)(山海愛度図会 ヲゝいたい 越中滑川大蛸 七). Woodblock print. image © Museum of Fine Arts Boston
〈山海めでたいづえ はやくきめたい 播州高砂蛸 十九〉歌川国芳 Utagawa Kuniyoshi (1852). Wanting to Decide Right Away (Hayaku kimetai)/ Octopus from Takasago in Harima Province (Banshû Takasago tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)(山海めでたいづえ はやくきめたい 播州高砂蛸 十九) Woodblock print. image © Museum of Fine Arts Boston
〈山海めでたいづえ はやくきめたい 播州高砂蛸 十九〉歌川国芳
Utagawa Kuniyoshi (1852). Wanting to Decide Right Away (Hayaku kimetai)/ Octopus from Takasago in Harima Province (Banshû Takasago tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)(山海めでたいづえ はやくきめたい 播州高砂蛸 十九) Woodblock print. image © Museum of Fine Arts Boston

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Vividly Portraying Edo Culture 

Cats as Protagonists

In Ukiyo-e prints by Utagawa Kuniyoshi, a portion features a clever presentation of anthropomorphized cats as protagonists. This “cat-human” portrayal skillfully preserves the feline traits while vividly showcasing the charisma of the depicted characters. Whether portraying graceful Kabuki actors, solemn warriors, or transforming cats into humanoid or supernatural beings, the artwork, seemingly focused on cats, dynamically interprets the everyday life of commoners in the Edo period. Cats play a central role in the artwork, bringing Edo vibes to life.

Utagawa Kuniyoshi(1841). 猫のけいこ.Woodblock print. image © Public Domain, WikiArt
Utagawa Kuniyoshi(1841). 猫のけいこ.Woodblock print. image © Public Domain, WikiArt
Utagawa Kuniyoshi (1839–42). Popular Plays Acted by Cats (Ryûkô neko no kyôgen zukushi)(流行猫の狂言づくし). Woodblock print. image © Museum of Fine Arts Boston
Utagawa Kuniyoshi (1839–42). Popular Plays Acted by Cats (Ryûkô neko no kyôgen zukushi)(流行猫の狂言づくし). Woodblock print. image © Museum of Fine Arts Boston

The Significance of Drawing Cats

Utagawa Kuniyoshi ingeniously utilizes the image of cats, showcasing their adorable, charming, and amusing facets. Focusing on cats as a theme, he creates numerous humorous Ukiyo-e prints, such as “Cats’ substitute characters(猫の当字).” In this piece, cats form the visual representation of words, assembling various fish names, providing the audience with a mischievously humorous sensation. Similarly, “One Hundred Ghost Tales(金魚づくし・百ものがたり)” depicts popular Edo period ghost stories known as “One Hundred Tales(Hyakumonogatari).” The appearance of the last bewitching cat surprises the anthropomorphized goldfish, presenting the lovable charm of goldfish. Although the cat images vary in these works, the artist’s unique and humorous touch highlights the diverse allure of cats, offering viewers a delightful visual experience in each piece.

Utagawa Kuniyoshi (1842).Cats' substitute characters(猫の当字). Woodblock print.  image © Public Domain, WikiArt
Utagawa Kuniyoshi (1842).Cats’ substitute characters(猫の当字). Woodblock print.  image © Public Domain, WikiArt
Utagawa Kuniyoshi (Edo period, 19th century). “One Hundred Ghost Tales” from the Series "Goldfish"(金魚づくし・百ものがたり). Woodblock print.  image ©  ColBase(https://colbase.nich.go.jp/)
Utagawa Kuniyoshi (Edo period, 19th century). “One Hundred Ghost Tales” from the Series “Goldfish”(金魚づくし・百ものがたり). Woodblock print.  image ©  ColBase(https://colbase.nich.go.jp/)

“Cats Suggested As The Fifty-three Stations of the Tōkaidō” is another renowned cat painting by Utagawa Kuniyoshi. This triptych tells the story of a cat-related post station and serves as a playful parody of another Ukiyo-e master, Utagawa Hiroshige’s “The Fifty-Three Stations of the Tōkaidō.” Each cat, with distinct features and poses, represents a station along the route from Tokyo to Kyoto. Kuniyoshi cleverly establishes the connection between each cat and station using puns, creating an amusing composition. Despite having 53 stations, why are there a total of 55 cats? This includes the starting point, Edo Station, and the destination, Kyoto Station, making a total of 55 stations.Utagawa Kuniyoshi’s dedication to detail is unmistakably apparent in this meticulously crafted artwork.

Utagawa Kuniyoshi(1850). Cats Suggested As The Fifty-three Stations of the Tōkaidō. Woodblock print. image © Public Domain, WikiArt
Utagawa Kuniyoshi(1850). Cats Suggested As The Fifty-three Stations of the Tōkaidō. Woodblock print. image © Public Domain, WikiArt

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Cats as Carriers of Existential Metaphors

Although the protagonists of these paintings may appear to be cats on the surface, the artist’s intent was to convey contemplations on the diverse aspects of the world. During that era, Ukiyo-e artists often depicted renowned Kabuki actors in the form of anthropomorphized animals to navigate the political censorship imposed by the Tokugawa shogunate. These constraints sometimes paradoxically stimulated greater creativity and possibilities, likely contributing to the diverse nature of Ukiyo-e. The brushstrokes of Ukiyo-e artists served not only as a showcase of artistic skill but also as a response to the societal and cultural changes of the time, expressing a personal perspective on the pulsating rhythm of the era. Beyond the portrayal of cats, Ukiyo-e artists like Utagawa Kuniyoshi used their brushstrokes to capture the diverse aspects of life during the Edo period, intertwining personal insights with societal changes.

〈野澤剛助 〉歌川国芳 Utagawa Kuniyoshi (1846). Nozarashi Gosuke. Woodblock print. image © The Rijksmuseum
〈野澤剛助 〉歌川国芳
Utagawa Kuniyoshi (1846). Nozarashi Gosuke. Woodblock print. image © The Rijksmuseum
〈東海道五十三對 岡部〉歌川国芳
Utagawa Kuniyoshi(1845). Tokaido gojusan tsui(「東海道五十三對 岡部」(鶴屋南北「独道五十三駅」の岡崎の化け猫騒動と岡部の猫石を題材に描いた). Woodblock print. image  ©  The Walters Art Museum.
〈東海道五十三對 岡部〉歌川国芳
Utagawa Kuniyoshi(1845). Tokaido gojusan tsui(「東海道五十三對 岡部」(鶴屋南北「独道五十三駅」の岡崎の化け猫騒動と岡部の猫石を題材に描いた). Woodblock print. image  ©  The Walters Art Museum.
REFERENCE
CITATION

Art Learnings. (2023, November 18). Utagawa Kuniyoshi’s Cat Ballet: Dancing through the Canvas of Japanese Woodblock Prints. Art Learnings. https://artlearnings.com/art-learnings/utagawa-kuniyoshis-purr-fect-japanese-woodblock-prints/

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